Cover Image Property of PUBLISHER
This image was scanned from the Dianna May Martin personal library collection

TABLE OF CONTENTS

  • Introduction
          Importance of Color - Methods and Outline of Study - Definitions and Materials
  • I: Color Sensations
          Color Aids Perseption - External Causes of Color Sensations - Reflection, Transmission, and Selective Absorption - Color Perceptions - Color Blindness - Effect of Colors on Emotions - Symbolism of Colors - Warm an dCool Hues - Advancing and Retreating Colors
  • II: Color Values and Intensities
          A Scale of Neutral Values - Qualities of White and Black - Relation of Black to Warm and of White to Cool Colors - Importance of Middle Gray - Colors at Full Intensity - Effect of Mixing Neutrals with Colors - Effects of High and of Low Illumination Upon Colors - Artistic Possibilities of Only One Hue with Neutrals - Experiments with Values and Intensities
  • III: Complementary Colors
          After-Images - Mixtures of Paints Compared with Combinations of Lights - Characteristic Effects Possible with Complementary colors: Increase of Intensity by Contrast: Reduction of Intensity by Mingling - Experiments with Complementary Colors
  • IV: Composite Colors
          Complexity of the Hues of Nature - Some Characteristics of Pleasing Colors - Artistic Importance of Color Gradations - Frequency of Adjacent Hues in Nature - Characteristic Effects Possible with Adjacent Hues: Brilliancy: Softness: Movement Towards or Away from Light: Modelling - Effect of Multiple Reflections in Increasing Intensity - Mixture of Adjacent Hues Selected at Varying Intervals - Experiments with Adjacent Colors
  • V: Near-Complements and Triads
          Near Complements Compared with Complements - Relation between Near Complements and Triads - Four Typical Triads and Their Characteristics - Summary of Color Groups - Experiments with Triads
  • VI: Color Harmonies
          Relation of Physics and Optics to Artistic Preferences - Brilliant Colors not Necessarily Crude - Some Ways of Relating Colors Harmoniously - The Harmonizing Effect of Reflections and After-Images - Effect of Character of Patterns Upon Color Relations - Color Values a Factor in Color Harmony - Color Harmony in Art and in Nature - Some Methods of Relating Inharmonious Hues - Experiments in Harmonizing Colors
  • VII: Color in Nature and Art
          The Hues of Plants, Animals, and Insects - Colors of Inorganic Substances - Color Expresses Moods of Nature - Use of Color in Painting - Three Typical Methods in Oil-Painting - Experiments with Effects of Oil-Paints - The Representation of Light - A Scientifically Arranged Palette

Title: The Enjoyment and Use of Color
Author/Designer: Walter Sargent
Format/Publication Date: TPB:1923; 1964;
Publisher: Charles Scribner's Sons, NY(1923); Dover Publications, Inc., Mineola, NY(1964);
Language: English
Page Count: 274
Book Dimensions(ht. x w.): 8" x 6 1/2"
ISBN: 048620944X

SUMMARY- This isn't a quilting book - except that it truly is. Color Value and Intensity are such a fundamental part of what quilters do - you owe it to your art to educate yourself on this aspect just as thoroughly as every other skill you need to create satisfying quilts. This is one of the touchstone books that should be on your shelf no matter what craft discipline you follow - and it should be well thumbed. Fortunately, Dover Publications is genius in finding and reprinting important works that might otherwise fallen into obsucrity and difficulty in finding.

Anyone with more information about this publication can contact me through My Contact Page.